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                <text>Taking, Making and Law-Breaking: copyright, digitised content, and the digital maker movement</text>
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                <text>Although there is a lot of digitised cultural heritage content online, it is still incredibly difficult to source good material to reuse, or material that you are allowed to reuse, in creative projects. What can institutions do to help people who want to invest their time in making and creating using digitised historical items as inspiration and source material? How does this affect the creative choices that people can make when trying to produce items based on digitized content? How does the current copyright licensing, and the treatment of digitized versions of orphan works, help or hinder the ability to reuse and share digitized content in a physical form?&#13;
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In this talk, Melissa Terras will talk about her experiences in trying to reuse digitized heritage content to make something she likes, wants, and will use – and the frustrating barriers she encountered along the way.  Covering issues of technical digitization standards, search and retrieval issues, and licensing issues, it is demonstrated how difficult it is to reuse cultural heritage content in this context, given the implicit and explicit barriers raised, institutionally, technically, and legally, along the way.</text>
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&#13;
Make it Digital has four detailed Enabling Use &amp; Re-use guides:&#13;
&#13;
Public Domain Guide&#13;
Remix Guide&#13;
Copyright Status Flowcharts&#13;
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&#13;
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                <text>In June 2014, The Museum of New  Zealand, Te Papa, made more than 30,000 high resolution images of its collection available to the public to download and reuse.  The images were made available with No Known Copyright Restriction statements (17,000 images) or Creative Commons attribution, non-commercial, no derivatives BY-NC-ND licenses (14,000 images) through Te Papa’s collections website, Collections Online (www.collections.tepapa.govt.nz). This paper describes Te Papa’s open access program with an emphasis on the results of the program after one year of activity.&#13;
&#13;
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