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                <text>In June 2014, The Museum of New  Zealand, Te Papa, made more than 30,000 high resolution images of its collection available to the public to download and reuse.  The images were made available with No Known Copyright Restriction statements (17,000 images) or Creative Commons attribution, non-commercial, no derivatives BY-NC-ND licenses (14,000 images) through Te Papa’s collections website, Collections Online (www.collections.tepapa.govt.nz). This paper describes Te Papa’s open access program with an emphasis on the results of the program after one year of activity.&#13;
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                <text>Cultural (heritage) institutions are redefining their roles in a context of digital access to culture. This talk will address how the cultural heritage sector can adopt a layered approach, with different degrees of openness. An overall goal of cultural heritage institutions in the digital age can be to provide as much access as possible and to be as open as possible towards reuse and remix practices. How open this is, however, might change depending on specific user communities, and it can also be different depending on the content being shared.&#13;
&#13;
The idea of ‘constructed cultural commons’ can provide a useful background or philosophy for initiatives the sector is undertaking. Some of the guiding principles of this approach are the intrinsic value of culture and digital cultural artefacts, the rights of users to sustainable access to these valuable assets, and the need for diversity and inclusiveness of the offer – also with regards to copyright status, in order to avoid a ‘digital black hole of 20th century content’. This ‘as open as possible’ philosophy, with respect to rights but without being unnecessarily constraining, can inspire cultural policy and cultural institutions’ digital experimentation.</text>
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